A Game Theory Study on Music Creation Infringement Under Government Supervision

DOI

10.2991/978-2-38476-311-5_34How to use a DOI?

Keywords

Music composition; Copyright protection; game theory

Abstract

With the swift advancement of Internet technology and the widespread adoption of social media platforms, led to rampant infringement of music creators’ rights, severely undermining their legitimate interests. This study focuses on the game dynamics of music copyright infringement under government oversight. By developing a game model and analyzing real-life cases, it delves into the conflicts of interest and strategic decisions between music creators and infringers. This paper asserts that to effectively protect the legitimate rights of music creators, enhance cultural services, and stimulate the creative impetus within the music industry, concerted efforts are needed to strengthen government regulation, refine legal frameworks, raise creators’ awareness of rights protection, and foster technological innovation.

Copyright

© 2024 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Download article (PDF)

TY  - CONF
AU  - Zhou Hao
AU  - Yin Jie
PY  - 2024
DA  - 2024/12/01
TI  - A Game Theory Study on Music Creation Infringement Under Government Supervision
BT  - Proceedings of the 2024 4th International Conference on Modern Educational Technology and Social Sciences (ICMETSS 2024)
PB  - Atlantis Press
SP  - 274
EP  - 282
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-311-5_34
DO  - 10.2991/978-2-38476-311-5_34
ID  - Hao2024
ER  -