“Director’s Illocutionary Act” And Filmic Creation
——Take Joon-ik Lee’s “The Throne” As A Case Study
- DOI
- 10.2991/978-2-38476-291-0_76How to use a DOI?
- Keywords
- film auteur; director’s ideas; the director’s illocutionary act; film aesthetics; film narrative; Joon-ik Lee’s “The Throne”
- Abstract
The “Director’s illocutionary act” refers to the emotion, purpose, and “intention” conveyed by the film. From the perspective of filmic creation, the auteurs theory emphasizes the director’s dominant position; the movie’s motif and theme formed by the “director’s illocutionary act”; the “illocutionary act” also is the driving force for the audiences to have different “filmic emotion”. In film criticism, the complete film text (stories narrative methods, audio-visual language design) should be analyzed to reveal the director’s “illocutionary act”, namely the film’s “connotation”. “The director’s illocutionary act” of Joon-ik Lee is to criticize the Korean feudal system, rather than “Confucian etiquette” or personal character, which triggered the audience’s reflective emotion and thinking.
- Copyright
- © 2024 The Author(s)
- Open Access
- Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
Cite this article
TY - CONF AU - Yirui Lin PY - 2024 DA - 2024/09/29 TI - “Director’s Illocutionary Act” And Filmic Creation BT - Proceedings of the 2024 3rd International Conference on Science Education and Art Appreciation (SEAA 2024) PB - Atlantis Press SP - 620 EP - 627 SN - 2352-5398 UR - https://doi.org/10.2991/978-2-38476-291-0_76 DO - 10.2991/978-2-38476-291-0_76 ID - Lin2024 ER -