Passivity and nothingness: On the artistic creation of medieval Christian the Madonna in art

DOI

10.2991/978-2-38476-271-2_97How to use a DOI?

Keywords

Medieval; Christian; The Madonna in art; artistic images

Abstract

The image of the Virgin Mary, as the main pattern in Christian art, has left a strong mark in the Art of Europe, but it is opposite to the passive and nihilistic phenomenon in the image of the Virgin Mary in the works, it reflects the tendency of feudal thought in medieval Christianity. Through the analysis of the unique forms and religious roots of the image of the Virgin Mary in medieval Christian art, this paper probes into its influence on the creation of female images and society.

Copyright

© 2024 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Jiahui Tian
PY  - 2024
DA  - 2024/07/29
TI  - Passivity and nothingness: On the artistic creation of medieval Christian the Madonna in art
BT  - Proceedings of the 2024 5th International Conference on Mental Health, Education and Human Development (MHEHD 2024)
PB  - Atlantis Press
SP  - 818
EP  - 828
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-271-2_97
DO  - 10.2991/978-2-38476-271-2_97
ID  - Tian2024
ER  -