Proceedings of the International Joint Conference on Arts and Humanities 2024 (IJCAH 2024)

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Development of an Artistic Framework on Classical Music Performance Research Based on a Critical Review

Authors
Herry R. Djahwasi1, *, Zaharul Lailiddin Bin Saidon1
1Faculty of Music and Performing Arts, Universiti Pendidikan Sultan Idris, Tanjung Malim, Malaysia
*Corresponding author. Email: herry@fmsp.upsi.edu.my
Corresponding Author
Herry R. Djahwasi
Available Online 13 February 2025.
DOI
10.2991/978-2-38476-317-7_45How to use a DOI?
Keywords
Classical Music Performance; Epistemological Considerations; Artistic Framework; Critical Review
Abstract

The core interplay of objectivity and subjectivity in classical music performance takes on a paradoxical nature when examining whether the performer is the object of the score or, conversely, the performer is the subject of the score. This conflicting perspective holds significance for the epistemological considerations within the realm of classical music performance research. The aim of this study is to examine and elucidate the epistemological implications of the dual role of performers as both objects and subjects in classical music performance. There are two phases of investigation of this study. In the first phase, this study entailed a comprehensive examination of three scholarly sources, which collectively offer a more comprehensive investigation of the concepts pertaining to objectivity and subjectivity from diverse viewpoints. In the second phase, a critical review of the three literatures will be developed in the form of an artistic framework in classical music performance. The significant of this study provides valuable insights into the intersection of music performance and knowledge acquisition, enriching our understanding of classical music interpretation and its complexities.

Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the International Joint Conference on Arts and Humanities 2024 (IJCAH 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
13 February 2025
ISBN
978-2-38476-317-7
ISSN
2352-5398
DOI
10.2991/978-2-38476-317-7_45How to use a DOI?
Copyright
© 2025 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Herry R. Djahwasi
AU  - Zaharul Lailiddin Bin Saidon
PY  - 2025
DA  - 2025/02/13
TI  - Development of an Artistic Framework on Classical Music Performance Research Based on a Critical Review
BT  - Proceedings of the International Joint Conference on Arts and Humanities 2024 (IJCAH 2024)
PB  - Atlantis Press
SP  - 434
EP  - 439
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-317-7_45
DO  - 10.2991/978-2-38476-317-7_45
ID  - Djahwasi2025
ER  -