Proceedings of the 3rd Universitas Lampung International Conference on Social Sciences (ULICoSS 2022)

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Ngediyo Performance: From Oral Literature at the Dance Show

Authors
Amelia Hani Saputri1, *, Siska Meirita2, Dewi Asmarawati3
1Dance Education, Lampung University, Bandar Lampung, Lampung, Indonesia
2Indonesian Language Education, Lampung University, Bandar Lampung, Lampung, Indonesia
3Language Education, Lampung University, Bandar Lampung, Lampung, Indonesia
*Corresponding author. Email: ameliahani@fkip.unila.ac.id
Corresponding Author
Amelia Hani Saputri
Available Online 2 May 2023.
DOI
10.2991/978-2-38476-046-6_105How to use a DOI?
Keywords
Performance; Oral Literature; Ngediyo
Abstract

The ngediyo performance is the development of the form of the ngediyo procession that produces elements of novelty from the aspect of style, taste, and meaning of a literary work. This process is what brings dance performances while writing literature. The study in this paper discusses the form of ngediyo performances from the aspect of motion, floor patterns, musical accompaniment, property, makeup, and clothing using qualitative methods with an interdisciplinary approach. The concept developed is based on the implementation of ngediyo in a series of begawi cakak pepadun events. The ngediyo show is danced by mekhanai and muli with a series of movements adapted from cangget movements. Oral literature in the ngediyo procession is called burdened. The poetry in the ngediyo march is in Lampung dialect O with the typical speech of the Abung Siwo Migo community. The motion structure presented in the ngediyo performance is divided into three parts: the beginning, the core, and the end. This dance is accompanied by musical instruments talo balak, tambourine and gambus with dancers wearing muli and mekhanai clothes. The property used is symbolized as a kandang rarang.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 3rd Universitas Lampung International Conference on Social Sciences (ULICoSS 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
2 May 2023
ISBN
978-2-38476-046-6
ISSN
2352-5398
DOI
10.2991/978-2-38476-046-6_105How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Amelia Hani Saputri
AU  - Siska Meirita
AU  - Dewi Asmarawati
PY  - 2023
DA  - 2023/05/02
TI  - Ngediyo Performance: From Oral Literature at the Dance Show
BT  - Proceedings of the 3rd Universitas Lampung International Conference on Social Sciences (ULICoSS 2022)
PB  - Atlantis Press
SP  - 1092
EP  - 1107
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-046-6_105
DO  - 10.2991/978-2-38476-046-6_105
ID  - Saputri2023
ER  -