Proceedings of the 2024 3rd International Conference on Social Sciences and Humanities and Arts (SSHA 2024)

The Art Historical Critique of Hegel's Aesthetic Philosophy by Gombrich

Authors
Yuan Liu1, *
1Northwest University, Illinois, USA
*Corresponding author. Email: 2482516799@qq.com
Corresponding Author
Yuan Liu
Available Online 21 June 2024.
DOI
10.2991/978-2-38476-259-0_112How to use a DOI?
Keywords
Gombrich; Hegel; Art Historical Perspective; Relativism
Abstract

Hegel posited the notion that history represents the progression of human self-awareness and actualization, but Gombrich contended that Hegel's philosophy fosters an excessive emphasis on systematic approaches in the examination of art, thereby impeding the advancement of both art and social history. Gombrich expressed his opposition to Hegel's concepts of the “spirit of the age” and the “spirit of the nation,” and instead delved into the examination of the aesthetic worth of the artist from an individualized perspective, with a particular focus on the “artist” as the central figure. By focusing on the “artist,” investigating the aesthetic value of the artist himself from an individualistic perspective, and criticizing the “relativism” of Hegel's school of thought, he insists on the position of artistic tradition and norms, replacing his “capitalized art,” thereby eliminating the influence and potential harm of Hegel's aesthetic thought. This study aims to examine the disagreement between Gombrich's and Hegel's aesthetic theories within the field of art history, highlighting its relevance and practical implications in contemporary academia.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2024 3rd International Conference on Social Sciences and Humanities and Arts (SSHA 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
21 June 2024
ISBN
978-2-38476-259-0
ISSN
2352-5398
DOI
10.2991/978-2-38476-259-0_112How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Yuan Liu
PY  - 2024
DA  - 2024/06/21
TI  - The Art Historical Critique of Hegel's Aesthetic Philosophy by Gombrich
BT  - Proceedings of the 2024 3rd International Conference on Social Sciences and Humanities and Arts (SSHA 2024)
PB  - Atlantis Press
SP  - 1071
EP  - 1079
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-259-0_112
DO  - 10.2991/978-2-38476-259-0_112
ID  - Liu2024
ER  -