Proceedings of the 2020 4th International Seminar on Education, Management and Social Sciences (ISEMSS 2020)

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On the Soundtrack of Web Series: The Untamed

Authors
Zhu Yunhong
Corresponding Author
Zhu Yunhong
Available Online 28 August 2020.
DOI
10.2991/assehr.k.200826.038How to use a DOI?
Keywords
Soundtrack, Musical form analysis, Web series
Abstract

In 2019, Tencent video’s exclusive online play The Untamed broke the domestic online drama record with a tortuous and moving plot, and Chinese folk music is therefore highly concerned. This article will introduce the composer Lin Hai, analyse the musical form and harmony of some of the music in The Untamed and illustrate the specific role of soundtrack. As followed is a detailed form, including the relationship between music and plots.

Copyright
© 2020, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 2020 4th International Seminar on Education, Management and Social Sciences (ISEMSS 2020)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
28 August 2020
ISBN
978-94-6239-048-5
ISSN
2352-5398
DOI
10.2991/assehr.k.200826.038How to use a DOI?
Copyright
© 2020, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

risenwbib
TY  - CONF
AU  - Zhu Yunhong
PY  - 2020
DA  - 2020/08/28
TI  - On the Soundtrack of Web Series: The Untamed
BT  - Proceedings of the 2020 4th International Seminar on Education, Management and Social Sciences (ISEMSS 2020)
PB  - Atlantis Press
SP  - 189
EP  - 194
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.200826.038
DO  - 10.2991/assehr.k.200826.038
ID  - Yunhong2020
ER  -