Representation of Feminism in the Movie Hi, mom! 《你好！李焕英》 by Jia Ling

Tiffany Qorie; Subandi Subandi; Muhammad F. Masrur; Rudiansyah

doi:10.2991/978-2-38476-317-7_124

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Representation of Feminism in the Movie Hi, mom! 《你好！李焕英》 by Jia Ling

Authors

Tiffany Qorie¹^{, *}, Subandi Subandi¹, Muhammad F. Masrur¹, Rudiansyah²

¹Universitas Negeri Surabaya, Surabaya, Indonesia

²Universitas Sebelas Maret, Surakarta, Indonesia

^*Corresponding author. Email: tiffanyqorie@unesa.ac.id

Corresponding Author

Tiffany Qorie

Available Online 13 February 2025.

DOI: 10.2991/978-2-38476-317-7_124 How to use a DOI?
Keywords: Representation; Feminism; Film
Abstract: A movie is an ‘artificial world’ or ‘replica world’ of what is happening in society as well as a projection of socio-cultural phenomena that are being experienced by society. Thus, what is depicted in movies is the reality experienced by everyday people. One of the most interesting and uplifting social phenomena is the movie Hi, mom《你好!李焕英》. This movie is very thick with the values of filial piety. Parents and the value of close kinship from a woman’s perspective, namely a daughter and a mother. How regretful and deep is the desire of a daughter to give the best for her mother, to repay all the kindness and love of the mother, especially when the mother is weak and sick in the hospital. Feminism in every region, culture, and ethnicity will certainly differ depending on where the woman or group is. The woman was raised and grew up, so the movie Hi, mom 《你好！李焕英》certainly became one of the movies that can depict the feminism of Chinese women as well as the chic Chinese background. This research aims to describe the representation of feminism in the movie Hi, mom! 《李焕英》.
Copyright: © 2025 The Author(s)
Open Access: Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title: Proceedings of the International Joint Conference on Arts and Humanities 2024 (IJCAH 2024)
Series: Advances in Social Science, Education and Humanities Research
Publication Date: 13 February 2025
ISBN: 978-2-38476-317-7
ISSN: 2352-5398
DOI: 10.2991/978-2-38476-317-7_124 How to use a DOI?
Open Access: Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

ris enw bib

TY  - CONF
AU  - Tiffany Qorie
AU  - Subandi Subandi
AU  - Muhammad F. Masrur
AU  - Rudiansyah
PY  - 2025
DA  - 2025/02/13
TI  - Representation of Feminism in the Movie Hi, mom! 《你好！李焕英》 by Jia Ling
BT  - Proceedings of the International Joint Conference on Arts and Humanities 2024 (IJCAH 2024)
PB  - Atlantis Press
SP  - 1279
EP  - 1285
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-317-7_124
DO  - 10.2991/978-2-38476-317-7_124
ID  - Qorie2025
ER  -

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