Romantic Religious Frame on Women Objectivation at ‘Tak Kenal Maka Ta’aruf’

DOI

10.2991/978-2-494069-55-8_6How to use a DOI?

Keywords

objectification of women; reality; religion

Abstract

This research was conducted to identify and examine the form of objectification of women in the reality show “Tak Kenal Maka Ta’aruf”. This type of research is descriptive qualitative with Michel Foucault’s discourse analysis as a data analysis technique. The results of this study indicate that the form of objectification of women in the religious frame presented in this show is in the form of objectification of the role and position of women as passive objects and dependent on men, objectification in the form of stereotypes and dehumanization, and patriarchal forms framed by religious concepts. In addition, the researchers also found that the objectification of women such as these shows also occurs and is deeply rooted in people’s lives.

Copyright

© 2023 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Rahmatullah Assyihabi
AU  - Safiratul Khodijah
PY  - 2022
DA  - 2022/12/21
TI  - Romantic Religious Frame on Women Objectivation at ‘Tak Kenal Maka Ta’aruf’
BT  - Proceedings of the International Conference of Social Science and Education (ICOSSED 2021)
PB  - Atlantis Press
SP  - 31
EP  - 41
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-494069-55-8_6
DO  - 10.2991/978-2-494069-55-8_6
ID  - Assyihabi2022
ER  -