An Analysis of the Surrealist Style in “Amelie from Montmartre”

DOI

10.2991/978-2-38476-311-5_27How to use a DOI?

Keywords

Surrealism; New Wave; “Amelie from Montmartre”

Abstract

“Amelie from Montmartre” was on release in the year of 2002, and has been popular since then. The reason of its popularity is its strong surrealist style. Through analyzing its shooting techniques, music and sound effect, and narrative mode in three phases of childhood, adolescence, and young adulthood, we find how surrealism is expressed in details and in all respects. These findings promote in-depth and diversified development of academic research on surrealism and deepen the understanding of the theory. In practice, it establishes a good example for the peers all over the world and inspire them to explore surrealist expression in their work.

Copyright

© 2024 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Gao Jing
PY  - 2024
DA  - 2024/12/01
TI  - An Analysis of the Surrealist Style in “Amelie from Montmartre”
BT  - Proceedings of the 2024 4th International Conference on Modern Educational Technology and Social Sciences (ICMETSS 2024)
PB  - Atlantis Press
SP  - 222
EP  - 228
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-311-5_27
DO  - 10.2991/978-2-38476-311-5_27
ID  - Jing2024
ER  -