Cultural reconstruction and innovative expression of Chinese animated films in recent 5 years

DOI

10.2991/978-2-38476-277-4_147How to use a DOI?

Keywords

animated films; Traditional culture; Cultural reconstruction; Innovation

Abstract

Over the past five years, Chinese animated films have made significant strides in blending traditional cultural elements with contemporary values, creating works that resonate both artistically and commercially. This study examines the cultural reconstruction and innovative expressions in these films, analyzing their narrative themes, character development, and world-building. By exploring films such as “Jiang Ziya,” “White Snake,” and “Nezha,” this paper highlights how filmmakers reimagine classic myths and historical tales to reflect modern sensibilities. These efforts not only enhance the global appeal of Chinese animation but also reinforce the cultural identity and values of contemporary China.

Copyright

© 2024 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Hu Yang
PY  - 2024
DA  - 2024/09/02
TI  - Cultural reconstruction and innovative expression of Chinese animated films in recent 5 years
BT  - Proceedings of the 2024 10th International Conference on Humanities and Social Science Research (ICHSSR 2024)
PB  - Atlantis Press
SP  - 1310
EP  - 1315
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-277-4_147
DO  - 10.2991/978-2-38476-277-4_147
ID  - Yang2024
ER  -