Proceedings of the 2nd International Conference on Education, Language and Art (ICELA 2022)

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Comparison Between Commercial and Art Films and Changes of Modern Films

Authors
Hanzhi Zhang1, *
1Basis International Guangzhou, Guangzhou, 510600, Guangdong, China
*Corresponding author. Email: hanzhi.zhang13608-bigz@basischina.com
Corresponding Author
Hanzhi Zhang
Available Online 1 March 2023.
DOI
10.2991/978-2-38476-004-6_94How to use a DOI?
Keywords
Martin Scorsese; Marvel; commercial films; art films; cinemas
Abstract

After Martin Scorsese stated the claim in an interview of Empire that as a filmmaker, he does not consider Marvel movies as “cinemas”, a series of commercial vs. art film events happened. For instance, perspectives like James Cameron (the director of Terminator, Titanic, and True Lies) believes that Marvel is not epic, while Francis Ford Coppola (the director of The Godfather, Apocalypse Now, and The Conversation) believes that Marvel is “shameful.”, The director of Braveheart, Hacksaw Ridge, The Passion of The Christ) simply called Batman v. Superman: the dawn of justice “a piece of s * * t”, supported Martin Scorsese’s statement, and attacked commercial movies or Marvel and other superhero movies. Therefore, this paper will try to convey the idea of whether watching movies is subjective or objective and discuss the rivalry and balance between commercial and art films. Although filmmakers can come to an agreement of letting commercial and art filmmakers walk together hand in hand, by viewing cinematic history, the rivalry between commercial and art films can only result in the substitution of a new regime for the old.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2nd International Conference on Education, Language and Art (ICELA 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
1 March 2023
ISBN
978-2-38476-004-6
ISSN
2352-5398
DOI
10.2991/978-2-38476-004-6_94How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Hanzhi Zhang
PY  - 2023
DA  - 2023/03/01
TI  - Comparison Between Commercial and Art Films and Changes of Modern Films
BT  - Proceedings of the 2nd International Conference on Education, Language and Art (ICELA 2022)
PB  - Atlantis Press
SP  - 771
EP  - 779
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-004-6_94
DO  - 10.2991/978-2-38476-004-6_94
ID  - Zhang2023
ER  -