Arabic Calligraphy in the Art of Glass Painting From Cirebon by Raffan S. Hasyim
- DOI
- 10.2991/assehr.k.210203.011How to use a DOI?
- Keywords
- Arabic calligraphy, glass painting, painting, Arabic letters
- Abstract
Arabic calligraphy is one of the themes in Cirebon glass painting. Called Arabic calligraphy glass painting because this painting uses transparent glass media that is painted in reverse with images in the form of writings or Arabic letters created into figures or figures of wayang, serabad, and others. The beginning of the emergence of Arabic calligraphy in Cirebon glass paintings was the influence of Islamic culture spreaded by the saints as a means of spreading Islam in Cirebon. The writing of this article aims to discuss the visual art of Arabic calligraphy in Cirebon glass painting by Raffan S. Hasyim, especially in the design and manufacturing process. The research method uses descriptive analysis. Data obtained from the results of the library, techniques and creative process of making glass calligraphy paintings by Raffan S. Hasyim through literature studies, and observations. The results showed that Cirebon glass painting by Raffan S. Hasyim had followed the proportions and structure formulated in the traditional aesthetics of glass painting, but he also added his own unique image characterized by shading details, color gradations and elements in his calligraphy glass painting decoration. the typical, and the manufacturing process using a ruler and complex mathematical calculations.
- Copyright
- © 2021, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Furqon Nurhidayat AU - Juju Masunah AU - Tri Karyono PY - 2021 DA - 2021/02/04 TI - Arabic Calligraphy in the Art of Glass Painting From Cirebon by Raffan S. Hasyim BT - Proceedings of the 3rd International Conference on Arts and Design Education (ICADE 2020) PB - Atlantis Press SP - 52 EP - 56 SN - 2352-5398 UR - https://doi.org/10.2991/assehr.k.210203.011 DO - 10.2991/assehr.k.210203.011 ID - Nurhidayat2021 ER -