Proceedings of the 2024 3rd International Conference on Comprehensive Art and Cultural Communication (CACC 2024)

From “Sati” to “Parvati”

--Viewing Indian Feminism’s Perspectives on Marriage and Love through The Storyteller’s Secret

Authors
Yi Zhang1, *
1Hong Kong Baptist University, Hong Kong, China
*Corresponding author. Email: 23440538@life.hkbu.edu.hk
Corresponding Author
Yi Zhang
Available Online 5 November 2024.
DOI
10.2991/978-2-38476-287-3_9How to use a DOI?
Keywords
Feminism; India; The Storyteller’s Secret
Abstract

The Storyteller’s Secret, a signature work by Indian author Sejal Badani, features female characters, beginning with the protagonist’s grandmother, “Amisha,” who persistently seek “freedom,” especially autonomy within marriage and family life. Despite numerous challenges, it is undeniable that with the continuous advancement of domestic feminist theories, the strength of Indian women’s fight for freedom and autonomy will increasingly grow with the changing times.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2024 3rd International Conference on Comprehensive Art and Cultural Communication (CACC 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
5 November 2024
ISBN
978-2-38476-287-3
ISSN
2352-5398
DOI
10.2991/978-2-38476-287-3_9How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Yi Zhang
PY  - 2024
DA  - 2024/11/05
TI  - From “Sati” to “Parvati”
BT  - Proceedings of the 2024 3rd International Conference on Comprehensive Art and Cultural Communication (CACC 2024)
PB  - Atlantis Press
SP  - 70
EP  - 76
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-287-3_9
DO  - 10.2991/978-2-38476-287-3_9
ID  - Zhang2024
ER  -