Proceedings of the 2023 2nd International Conference on Social Sciences and Humanities and Arts (SSHA 2023)

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Analysis of the Singing of Cadenza of Vocal Works in Different Periods

Authors
Yingjie Chen1, *
1Vocal Music Major, Graduate School of Music, Senzoku Gakuen College of Music, Kawasaki, Japan
*Corresponding author. Email: j3350710343@163.com
Corresponding Author
Yingjie Chen
Available Online 11 July 2023.
DOI
10.2991/978-2-38476-062-6_90How to use a DOI?
Keywords
cadenza; Baroque; Classical; Romantic
Abstract

Cadenza is an important singing technique in vocal works, and it is also a difficult skill for many vocal learners. Rhythm, intonation, and expression are all important reference factors for good singing. Cadenza has been developed by composers for a long time. However, some students and even teachers in music schools are unable to distinguish the characteristics and methods of the singing cadenza in various periods, and a wrong understanding can lead to wrong expressions and singing. In the perception of many vocal learners, the cadenza is just a way to show off and has no practical significance, but cadenza in different periods is performed in completely different ways. Nowadays, there is little research on cadenza, and most institutions only let students find the pitch and rhythm in vocal teaching, but do not show the content of cadenza and the style characteristics required in different periods. Although there is a great deal of research on arias in opera works of various periods, there is very little research on cadenza. This study combines previous literature, compiles articles on vocal works from different periods, and analyzes them through its own experience as well as repertoire, examining the musical aesthetics of different periods and the way in the cadenza.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2023 2nd International Conference on Social Sciences and Humanities and Arts (SSHA 2023)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
11 July 2023
ISBN
10.2991/978-2-38476-062-6_90
ISSN
2352-5398
DOI
10.2991/978-2-38476-062-6_90How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Yingjie Chen
PY  - 2023
DA  - 2023/07/11
TI  - Analysis of the Singing of Cadenza of Vocal Works in Different Periods
BT  - Proceedings of the 2023 2nd International Conference on Social Sciences and Humanities and Arts (SSHA 2023)
PB  - Atlantis Press
SP  - 701
EP  - 706
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-062-6_90
DO  - 10.2991/978-2-38476-062-6_90
ID  - Chen2023
ER  -