Proceedings of the 2022 International Conference on Science Education and Art Appreciation (SEAA 2022)

The Research on the Construction of Female Images in the Chinese Female-Themed Film The Fall

Authors
Haoyi Wang1, *
1Graduat School, Beijing Normal University - Hong Kong Baptist University United International College, Zhuhai City, 519000, China
*Corresponding author. Email: r130232088@mail.uic.edu.cn
Corresponding Author
Haoyi Wang
Available Online 19 November 2022.
DOI
10.2991/978-2-494069-05-3_83How to use a DOI?
Keywords
Female-themed films; Female image; Mother-daughter relationship; Female consciousness
Abstract

In the past, female images in movies were always accompanied by male gaze, which was regarded as the carrier of male desire. With the spread of the “MeToo” movement (a global feminist social movement) around the world, it not only triggered extensive discussions in various fields such as politics, academia and culture, but also promoted the enhancement of female consciousness, and the female images in films also changed accordingly. Under the background of this era, this paper discusses that the female images in the female-themed film The Falls are based on the female perspective, and the mother-daughter relationship of spiritual exchange is used as the incision to truly express the difficulties women face in life. The Falls depicts the female images who grow up in difficulties and help each other, aiming to express that the awakening of female consciousness and the construction of female images complement each other in the film, they are based on women’s psychology and emotion, The awakening of female consciousness gives women more opportunities and courage to express themselves boldly, and at the same time gives more attention and encouragement to the difficulties faced by women.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2022 International Conference on Science Education and Art Appreciation (SEAA 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
19 November 2022
ISBN
978-2-494069-05-3
ISSN
2352-5398
DOI
10.2991/978-2-494069-05-3_83How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Haoyi Wang
PY  - 2022
DA  - 2022/11/19
TI  - The Research on the Construction of Female Images in the Chinese Female-Themed Film The Fall
BT  - Proceedings of the 2022 International Conference on Science Education and Art Appreciation (SEAA 2022)
PB  - Atlantis Press
SP  - 684
EP  - 692
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-494069-05-3_83
DO  - 10.2991/978-2-494069-05-3_83
ID  - Wang2022
ER  -