Didi Kempot: Masculinity and Actor in Circulation and Consumption in Industrial Revolution 4.0

DOI

10.2991/assehr.k.200818.043How to use a DOI?

Keywords

Didi Kempot, digital network, masculinity, Javanese, music

Abstract

Didi Kempot is a traditional Javanese singer seldom being discussed, however he is the unique case of digital phenomena. He is not only surpassing the young, global idol, but also show digital network of fandom works. By using digital and cultural production circulation as framework and perspective, this article shows contemporary digital network support the traditional music and able to made a fandom. Masculinity is the key to understand contemporary understanding of Javanese and national cultural feeling.

Copyright

© 2020, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Nina Widyawati
AU  - Widjajanti M Santoso
PY  - 2020
DA  - 2020/08/19
TI  - Didi Kempot: Masculinity and Actor in Circulation and Consumption in Industrial Revolution 4.0
BT  - Proceedings of the 2nd Jogjakarta Communication Conference (JCC 2020)
PB  - Atlantis Press
SP  - 186
EP  - 189
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.200818.043
DO  - 10.2991/assehr.k.200818.043
ID  - Widyawati2020
ER  -