Proceedings of the International Joint Conference on Arts and Humanities 2022 (IJCAH 2022)

<Previous Article In Volume
Next Article In Volume>

Masks in Thathakan Performing Arts in Tuban: Ethnosemiotics Study

Authors
Setya Yuwana1, *, Titik Indarti1, Arief Sudrajat1, Buntas Pradoto2
1Universitas Negeri Surabaya, Surabaya, Indonesia
2SMPN 1 Kecamatan Tambakboyo, Tuban, Indonesia
*Corresponding author. Email: setyayuwana@unesa.ac.id
Corresponding Author
Setya Yuwana
Available Online 19 March 2023.
DOI
10.2991/978-2-38476-008-4_183How to use a DOI?
Keywords
Denotative; Connotative; Myth; Ethnosemotics visual
Abstract

The background of the study was to give the academic sense of Thathakan performance in Tambakboyo district, Tuban Regency. The purpose of this study is to describe: 2) denotative meaning; b) connotative meaning, c) Ideology myths) the masks of Thathakan art performance in Tuban. The theory used in this study is etnosemioticsvisual, the combination between ethnography and semiotic visual. The semantics theory which was chosen was Roland Barthes’ theory. The approach was descriptive–qualitative. The data collection used observation, in-depth interviews, and focus group discussions with the artists and stakeholders. The data analysis was operated on two levels, those are 1) analyzing signs individually which include marks, codes, and marks’ meaning; 2) the sign analysis which formed texts. The findings of the study are to understand that the masks used in Thak-thakan performances in Tuban are part of the mythologies for Javanese in the coastal area to cast out the evil spirits around them.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Download article (PDF)

<Previous Article In Volume
Next Article In Volume>
Volume Title
Proceedings of the International Joint Conference on Arts and Humanities 2022 (IJCAH 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
19 March 2023
ISBN
978-2-38476-008-4
ISSN
2352-5398
DOI
10.2991/978-2-38476-008-4_183How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Setya Yuwana
AU  - Titik Indarti
AU  - Arief Sudrajat
AU  - Buntas Pradoto
PY  - 2023
DA  - 2023/03/19
TI  - Masks in Thathakan  Performing Arts in Tuban: Ethnosemiotics Study
BT  - Proceedings of the International Joint Conference on Arts and Humanities 2022 (IJCAH 2022)
PB  - Atlantis Press
SP  - 1695
EP  - 1706
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-008-4_183
DO  - 10.2991/978-2-38476-008-4_183
ID  - Yuwana2023
ER  -