Liu’s Bamboo Weaving in the View of Design Aesthetics

DOI

10.2991/assehr.k.201215.514How to use a DOI?

Keywords

design aesthetics, traditional aesthetics, Liu’s bamboo weaving

Abstract

With national cultural and spiritual connotations, folk handicrafts have plenty of scope for survival, continue a nation’s tradition of artwork-making, and have created perceivable aesthetic values. This kind of folk arts combines with daily necessities, and transforms traditional culture and spiritual connotations into the aesthetics of daily necessities. This can not only pass on excellent folk handicraft, but also make daily necessities more aesthetic, leading to an ideal aesthetics in life. This plays an important role in setting design trends with national culture and spiritual connotations. This paper takes the research of aesthetic elements in design as the theoretical framework, and combines multidisciplinary research theories and methods such as in art, aesthetics, and cultural industry to try to analyze the successful cultural industry of folk handicrafts ─ Liu’s bamboo weaving, through material, shape and cultural connotation.

Copyright

© 2020, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Jun Meng
PY  - 2020
DA  - 2020/12/17
TI  - Liu’s Bamboo Weaving in the View of Design Aesthetics
BT  - Proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020)
PB  - Atlantis Press
SP  - 631
EP  - 634
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.201215.514
DO  - 10.2991/assehr.k.201215.514
ID  - Meng2020
ER  -