Proceedings of the 5th International Conference on Language, Art and Cultural Exchange (ICLACE 2024)

“Objectification” and “Anti-Objectification”

On the Female Writing of Female Poets in the Song Dynasty

Authors
Wenli Xu1, *
1Faculty of Arts, The Chinese University of Hong Kong, Hong Kong, 999077, China
*Corresponding author. Email: xuwl_2023@163.com
Corresponding Author
Wenli Xu
Available Online 18 July 2024.
DOI
10.2991/978-2-38476-265-1_5How to use a DOI?
Keywords
Song Dynasty; female Ci poet; “objectification”; “anti-objectification”
Abstract

This article analyzes the female writing of female Ci poets in the Song Dynasty through the classification of the Ci lyrics of female poets in the Song Dynasty, combined with feminist research on “objectification”. Specifically, this article uses emotion as the basis to analyze and classify the female writing of the female Ci poets in the Song Dynasty. The Ci lyrics are divided into four categories: expressing longing for distant people and expressing warnings to distant people; expressing the thoughts and personalities of the poets themselves; expressing sadness and desolation after being abandoned; expressing thoughts of melancholy. At the same time, this article combines Nussbaum’s eight-point definition of the expression form of “objectification” with analyzing the writing of female images in different types of Ci poems, pointing out that the first and third categories of Ci poems include writing about the “objectification” of women, and the second category of Ci poems includes writing about the “anti-objectification” of women, and analyze the reasons for the writing of “objectification” and “anti-objectification” in the above Ci poems.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 5th International Conference on Language, Art and Cultural Exchange (ICLACE 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
18 July 2024
ISBN
978-2-38476-265-1
ISSN
2352-5398
DOI
10.2991/978-2-38476-265-1_5How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Wenli Xu
PY  - 2024
DA  - 2024/07/18
TI  - “Objectification” and “Anti-Objectification”
BT  - Proceedings of the 5th International Conference on Language, Art and Cultural Exchange (ICLACE 2024)
PB  - Atlantis Press
SP  - 25
EP  - 39
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-265-1_5
DO  - 10.2991/978-2-38476-265-1_5
ID  - Xu2024
ER  -