Proceedings of the 5th International Conference on Language, Art and Cultural Exchange (ICLACE 2024)

A Study of the Differences between Chinese and Western Saxophone Playing Styles

Authors
Enming Zhang1, *
1Conservatoire De Perpignan, Perpignan, 66003, France
*Corresponding author. Email: enming162@gmail.com
Corresponding Author
Enming Zhang
Available Online 18 July 2024.
DOI
10.2991/978-2-38476-265-1_38How to use a DOI?
Keywords
Saxophone; Chinese and Western Performance Style Differences; Music Field
Abstract

After nearly 200 years of development, the saxophone has become an important part of the Western musical instruments. In the 1940s, the saxophone was officially introduced to China, and in the process of integration with Chinese music, a unique style of playing was formed. Compared with the Western saxophone, which emphasizes composer's experience, rhythmic changes and drama, the Eastern saxophone has a more national style of playing, with more emphasis on harmony and lyricism. In this paper, we study the development history of saxophone in China and the West and the differences of playing styles. In the future, we should maintain the cultural confidence of the oriental saxophone playing style, but also integrate Chinese music culture with the western orchestral art organically, and continuously promote the overall development of Chinese music career.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 5th International Conference on Language, Art and Cultural Exchange (ICLACE 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
18 July 2024
ISBN
10.2991/978-2-38476-265-1_38
ISSN
2352-5398
DOI
10.2991/978-2-38476-265-1_38How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Enming Zhang
PY  - 2024
DA  - 2024/07/18
TI  - A Study of the Differences between Chinese and Western Saxophone Playing Styles
BT  - Proceedings of the 5th International Conference on Language, Art and Cultural Exchange (ICLACE 2024)
PB  - Atlantis Press
SP  - 318
EP  - 324
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-265-1_38
DO  - 10.2991/978-2-38476-265-1_38
ID  - Zhang2024
ER  -