The Writing of Cultural Memory in the New Mainstream Film

DOI

10.2991/978-2-38476-277-4_150How to use a DOI?

Keywords

new mainstream films; cultural memory; media memory; identity

Abstract

The new mainstream film, a fresh manifestation of the Chinese film industry's self-evolution, has emerged as a key cultural memory carrier for China's new period. Using the new mainstream movie as the research subject, this paper examines how cultural memory is improved and rebuilt during the film's narrative and communication processes. It also looks at efficient methods of writing cultural memory into the creation of images and media communication within the new mainstream movie and offers scholarly resources for the creation of more globally recognized Chinese cultural images.

Copyright

© 2024 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Tingting Zheng
AU  - Yuchen Li
AU  - Yuejun Chu
PY  - 2024
DA  - 2024/09/02
TI  - The Writing of Cultural Memory in the New Mainstream Film
BT  - Proceedings of the 2024 10th International Conference on Humanities and Social Science Research (ICHSSR 2024)
PB  - Atlantis Press
SP  - 1332
EP  - 1337
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-277-4_150
DO  - 10.2991/978-2-38476-277-4_150
ID  - Zheng2024
ER  -