Proceedings of the 2024 10th International Conference on Humanities and Social Science Research (ICHSSR 2024)

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The expression of the artistic conception of “Three Far Method” in Chinese film space -- taking Crouching Tiger, Hidden Dragon as an example

Authors
Wenjing Zhao1, *
1Lanzhou Univ, Sch Chinese Languages & Literatures, Gansu, Lanzhou, 730000, China
*Corresponding author. Email: zhaowj011@163.com
Corresponding Author
Wenjing Zhao
Available Online 2 September 2024.
DOI
10.2991/978-2-38476-277-4_208How to use a DOI?
Keywords
Sanyuan method; Artistic conception; Crouching Tiger; Hidden Dragon; Tao
Abstract

“Three far method” is an extremely important spatial layout technique in Chinese landscape painting. The space shaping of “far” contains the unique aesthetic conception of the ancients. The unique artistic conception of “lofty, secluded and diluted” is constructed by “lofty, profound and peaceful” in landscape painting, and the realistic space and spirit shaping displayed by it have been handed down to the present. Influenced by the structure of national culture, Chinese films, especially martial arts films, have absorbed the spatial concept and expression form of “far” in traditional Chinese landscape painting, and constructed the spiritual space of films through the spatial layout technique of “far”. This paper tries to analyze the “Tao” artistic conception behind the landscape space of the film from the “three-distance method”.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2024 10th International Conference on Humanities and Social Science Research (ICHSSR 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
2 September 2024
ISBN
978-2-38476-277-4
ISSN
2352-5398
DOI
10.2991/978-2-38476-277-4_208How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Wenjing Zhao
PY  - 2024
DA  - 2024/09/02
TI  - The expression of the artistic conception of “Three Far Method” in Chinese film space -- taking Crouching Tiger, Hidden Dragon as an example
BT  - Proceedings of the 2024 10th International Conference on Humanities and Social Science Research (ICHSSR 2024)
PB  - Atlantis Press
SP  - 1849
EP  - 1856
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-277-4_208
DO  - 10.2991/978-2-38476-277-4_208
ID  - Zhao2024
ER  -