Seeing and Being Seen

Discussion on the Reconstruction of the Relationship between Image and Reality

DOI

10.2991/assehr.k.220504.199How to use a DOI?

Keywords

Image; Reality; Seeing and being seen

Abstract

With the wide application of digital imaging technology, the importance of film aesthetics has been questioned, and the relationship between image and reality has gradually become a topic of discussion. To explain the concept of “seeing and being seen” and reconstruct the relationship between image and reality, this paper mainly discusses it from two aspects. The first part mainly explains how to present “seeing and being seen” between image and reality in the relationship between film and performance. The second part of seeing and being seen is about the image and the audience, which mainly evaluates several media parts with self-expression, non-personal presentation of ideas, and self-representation. Thus, further, determine whether the relation between show and audience has been detached from reality. This paper will discuss the dependence and separation between image and reality through these two parts. This paper holds that modern digital image technology development alienates the performance subject. The “performance” of users or producers in the media in front of the audience leads to the separation of image and reality. This paper will supplement a new research perspective and case analysis for contemporary art aesthetics.

Copyright

© 2022 The Authors. Published by Atlantis Press SARL.

Open Access

This is an open access article distributed under the CC BY-NC 4.0 license.

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TY  - CONF
AU  - Bisheng Qian
PY  - 2022
DA  - 2022/06/01
TI  - Seeing and Being Seen
BT  - Proceedings of the 2022 8th International Conference on Humanities and Social Science Research (ICHSSR 2022)
PB  - Atlantis Press
SP  - 1091
EP  - 1095
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220504.199
DO  - 10.2991/assehr.k.220504.199
ID  - Qian2022
ER  -