Proceedings of the 3rd International Conference on Education, Language and Art (ICELA 2023)

Veil the Transparent Vision: From Lacanian Registers to the Images of Chantal Akerman

Authors
Boyang Wei1, *
1Ningxia University, Yinchuan, China
*Corresponding author. Email: 2991047891@qq.com
Corresponding Author
Boyang Wei
Available Online 21 February 2024.
DOI
10.2991/978-2-38476-214-9_69How to use a DOI?
Keywords
Chantal Akerman; Jaques Lacan; Gaze; Register Theory; Space
Abstract

onsidering the preference to Chantal Akerman for a frontal gaze at the body images in her films, yet few papers have been adequate for fully grasping the value of Akerman’s cinematic images through carrying out analyses to this undifferentiated basic movement. The paper therefore chooses to introduce Lacanian framework concerning the content of the visual image to review the great female author’s expressions of visual perception in distinct spatial scales of her typical works; and furthermore to argue that how the concepts of the nature, the imaginary, the symbolic and the real, reflected in featured space, matter the structure of the viewer’s gaze that inside and outside the screen. With reference to the already established spatial margins, my aim is to explore the fundamental opposition between the inner and outer realms, as well as those unceasing encounters from the nature to order during the construction of meaning induced by the acts of gaze and look in Akerman’s films. Following the inspiration the filmmaker has been brought, I also extend the link between seeing and being seen reasoned therein, into a wider context of our own embodiment.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 3rd International Conference on Education, Language and Art (ICELA 2023)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
21 February 2024
ISBN
10.2991/978-2-38476-214-9_69
ISSN
2352-5398
DOI
10.2991/978-2-38476-214-9_69How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Boyang Wei
PY  - 2024
DA  - 2024/02/21
TI  - Veil the Transparent Vision: From Lacanian Registers to the Images of Chantal Akerman
BT  - Proceedings of the 3rd International Conference on Education, Language and Art (ICELA 2023)
PB  - Atlantis Press
SP  - 579
EP  - 589
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-214-9_69
DO  - 10.2991/978-2-38476-214-9_69
ID  - Wei2024
ER  -