Application of Traditional Chinese Makeup and Ornament Elements in the Image-shaping of the Dance Drama “Ling · Hua Guzi”
- DOI
- 10.2991/assehr.k.200316.046How to use a DOI?
- Keywords
- makeup and ornament elements, makeup modeling design, Hua Guzi, realistic style, impressionistic style
- Abstract
With a history of thousands of years, Chinese “makeup and ornament culture is rich in contents, diversified in forms, and full of Chinese aesthetic connotation. In recent years, in the makeup modeling design of the characters for performance, such as stage drama, film and television drama, fashion show and so on, the creative makeup modeling design by use of the Chinese classical “makeup and ornament elements”, through the transformation of the time and space, show a unique Oriental affective tone and aesthetic feelings with the oriental aesthetics of impressionistic style and color shading. The character modeling design in the dance drama “Ling · Hua Guzi” draws on the Chinese classical “makeup and ornament elements”, and boldly summarizes, refines, reorganizes and redesigns these elements, in order to meet the aesthetic needs of modern people, and strives to vividly express Pu Songling’s fresh characters in the fantasy theme of “flower fairies and vixen spirits”. It reflects the harmonious beauty of the between tradition and modernity, east and west, body and space so that the dance drama presents a novel, unique and unified beauty on the whole.
- Copyright
- © 2020, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Heqing Wang PY - 2020 DA - 2020/03/19 TI - Application of Traditional Chinese Makeup and Ornament Elements in the Image-shaping of the Dance Drama “Ling · Hua Guzi” BT - Proceedings of the 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020) PB - Atlantis Press SP - 202 EP - 205 SN - 2352-5398 UR - https://doi.org/10.2991/assehr.k.200316.046 DO - 10.2991/assehr.k.200316.046 ID - Wang2020 ER -