National Vision and Aesthetics Playing and Singing Art of Maqu Under the Construction of Aesthetic Modernity

DOI

10.2991/iccese-19.2019.79How to use a DOI?

Keywords

nationality; aesthetic modernity; construction; Maqu playing and singing

Abstract

The discussion of aesthetic modernity is a hot topic in the current literary research circle. Although this theory has been widely used at present, it is often ignored to make a comprehensive study of folk art from the effective perspective of aesthetic modernity by the academic circles. This paper attempted to place Gannan Maqu playing and singing art in the field of aesthetic modernity and explore the new explanatory space of Gannan Maqu playing and singing art in the field of aesthetic modernity from three aspects: the transformation from locality to nationalism, the disenchantment of divinity to humanity, and the separation living state like scattered sand into the field of modern culture, in order to respond to the aesthetic appeal of the modern society, and sublimate the unique significance of Maqu playing and singing art. Consequently, cultural protection and inheritance will not be taken for granted as self-talk.

Copyright

© 2019, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Zhanhai Song
PY  - 2019/04
DA  - 2019/04
TI  - National Vision and Aesthetics Playing and Singing Art of Maqu Under the Construction of Aesthetic Modernity
BT  - Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019)
PB  - Atlantis Press
SP  - 348
EP  - 352
SN  - 2352-5398
UR  - https://doi.org/10.2991/iccese-19.2019.79
DO  - 10.2991/iccese-19.2019.79
ID  - Song2019/04
ER  -