The Song Cycle: Hermeneutic and Communication Approaches

DOI

10.2991/iccese-18.2018.146How to use a DOI?

Keywords

song cycle; genre; poetry; music; narrative; history and modernity; hermeneutics; communication; imagination; picture; listener; performer; action on the spot

Abstract

The paper is dedicated to interpretation-based multifaceted connections characteristic to the song cycle genre. The authors discuss the song cycle evolution, the ways of its transformation development trends. Being one of the beloved genres of the classical music, it has undergone dramatic changes which stem from globalization, social and cultural transformations, and changes in people’s mindset. The song cycle here is viewed as a multifaceted system, its elements building a hermeneutic bridge between language, music, communication, mind and emotions. The genre is unique in view of its being an organic unity of poetry and music, as well as a mediator between poetic and musical meaning, interpretatively linking the poet, composer, performer and listener outside of space and time.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Download article (PDF)

TY  - CONF
AU  - Elena Borisova
AU  - Elena Klimenko
PY  - 2018/03
DA  - 2018/03
TI  - The Song Cycle: Hermeneutic and Communication Approaches
BT  - Proceedings of the 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018)
PB  - Atlantis Press
SP  - 638
EP  - 642
SN  - 2352-5398
UR  - https://doi.org/10.2991/iccese-18.2018.146
DO  - 10.2991/iccese-18.2018.146
ID  - Borisova2018/03
ER  -