Man in Art: Various Implementations in History

DOI

10.2991/icassee-19.2019.123How to use a DOI?

Keywords

artistic expression; plastic transformation in art; man in art

Abstract

The question is considered: to what extent each new phenomenon of art resonates in a large culture and influences a person. The author shows how to realize his cognitive potential: European art brings it to the limit in the 17-18 centuries. Then artistic creativity in history gradually passes to the mastering of the abilities of a self-valuable and artistic principle, in other words, the immanent development of their artistic and expressive means. This process continues to this day. In any artistic movement, all complex and subtle ways of artistic expression are associated with a deeply human dimension. Such an ability of art as to make the invisible and completely unrecognizable visible and tangible is the most important line of influence of Art on Man.

Copyright

© 2019, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Oleg A. Krivtsun
PY  - 2019/11
DA  - 2019/11
TI  - Man in Art: Various Implementations in History
BT  - Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019)
PB  - Atlantis Press
SP  - 584
EP  - 587
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-19.2019.123
DO  - 10.2991/icassee-19.2019.123
ID  - Krivtsun2019/11
ER  -