The Aesthetics of Reception and S.I. Hsiung's Lady Precious Stream

DOI

10.2991/icassee-19.2019.116How to use a DOI?

Keywords

S.I. Hsiung; aesthetics of reception; Lady Precious Stream; translation

Abstract

With the deepening of globalization and the strengthening of China's soft power, cultural exchanges between China and the rest of the world have been increasingly frequent nowadays. This paper discusses success of the play Lady Precious Stream translated by S.I. Hsiung in both the U.K. and the U.S. early last century from the perspective of the aesthetics of reception while focusing on the reproduction of Lady Precious Stream's image and translation of culture-specific terms, hoping to enlighten the current practitioners during translation of Chinese operas.

Copyright

© 2019, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Deyin Chen
PY  - 2019/11
DA  - 2019/11
TI  - The Aesthetics of Reception and S.I. Hsiung's Lady Precious Stream
BT  - Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019)
PB  - Atlantis Press
SP  - 559
EP  - 561
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-19.2019.116
DO  - 10.2991/icassee-19.2019.116
ID  - Chen2019/11
ER  -