Intertextuality of “Triple Present”: on the Creation of Contemporary Chinese Art Film Taking the Film “Mr. No Problem” as an Example

DOI

10.2991/icassee-18.2018.10How to use a DOI?

Keywords

triple present; intertextuality; Mr. No Problem; Chinese film; academism; commerce and art

Abstract

This paper aims to make a comprehensive study on the “antecedents and consequences” of the Chinese contemporary art film creation with the film “Mr. No Problem” as a reference text, and to explore its implications on Chinese film style in the commercial context. Taking the film “Mr. No Problem” as an example, this paper analyzes the historical inheritance and innovation and the reflection on contemporary life embodied in the creation of Chinese contemporary art films, and the thinking on the future development of Chinese art films from the “triple present” perspective of the “past present, present present and future present”.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Qun Xie
AU  - Min Luo
PY  - 2018/12
DA  - 2018/12
TI  - Intertextuality of “Triple Present”: on the Creation of Contemporary Chinese Art Film Taking the Film “Mr. No Problem” as an Example
BT  - Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018)
PB  - Atlantis Press
SP  - 59
EP  - 62
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-18.2018.10
DO  - 10.2991/icassee-18.2018.10
ID  - Xie2018/12
ER  -