The Community’s Role in Preserving the Art of Sisingaan in Karang Herang Village, Pabuaran District, Subang District

DOI

10.2991/978-2-38476-100-5_34How to use a DOI?

Keywords

Sisingaan; Culture; Art

Abstract

The surround art is a cultural heritage born in the subang district. The accompanying art of art featuring two to four teddy lions now having a great variety of shapes and forms. Tedium is a lionlike figurehead of two countries in the Netherlands and England. The birth of collapse is a close form of resistance or a derogatory expression of colonial occupation. The teddy lion was a symbol of colonial power in both the Netherlands and England. Strength, firmness, strength is a symbol in the fight against the invaders. As the creative days of the young nation’s innovation and creativity have been realized, new remains are introduced to the closer syncretization that engages in other animals such as birds, dragons, and many more. But not escape the function of the system itself which is an instrument of the struggle to exorcise the invaders and ritual circumcision of the offspring. The circumcision children’s own ritual ritual that initially used only regular black batons and then switched in gatot gaca clothes and then down to now the attire or costume of the foreskin has so many kinds of fashions that go unwavered from the influence of today’s cultures and innovations. The remaining arts became the ceremonies with the reception, the inauguration of the hall, the performance, and the festival. The essence of the coming artistry lies in the teddy lions, the bearers and the son over the lions, the bridesmaids. This research is expected to enhance the preservation of local cultural arts in the community. Art must create a yearning for eternal life, for the ultimate purpose of art is life itself. Art was considered such an important tool for the achievement of life that it required maintaining the field of life to remain green and to give direction to life for humans. The purpose of this study is to describe the forms of participation of people in the herang reef in an effort to preserve the culture of artistry as part of a fragrant heritage. The study employed a method of study based on free interviews with unrestricted sources so that the answer to the source would not be limited to understanding the phenomenon of what is experienced by subject studies such as behavior, perception, motivation, action, holistic, and by way of a description in words and language in a natural special context and by utilization of various scientific methods. As for the benefits of this research, it serves as an empowering society that has a concern for a cultural heritage that must be preserved.

Copyright

© 2024 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - N. Widiyastuti
AU  - Tri Karyono
AU  - Juju Masunah
PY  - 2023
DA  - 2023/09/28
TI  - The Community’s Role in Preserving the Art of Sisingaan in Karang Herang Village, Pabuaran District, Subang District
BT  - Proceedings of the Fifth International Conference on Arts and Design Education (ICADE 2022)
PB  - Atlantis Press
SP  - 241
EP  - 248
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-100-5_34
DO  - 10.2991/978-2-38476-100-5_34
ID  - Widiyastuti2023
ER  -