Dangdut: Java, Reggae and Rap A Collaborative Concept of Via Vallen

DOI

10.2991/icade-18.2019.46How to use a DOI?

Keywords

dangdut music; music collaboration; cultural studies

Abstract

Dangdut originally regarded as the lower class. The term dangdut taken from onomatopoetic drum sounds and intentions satire for lower class, but now began to be known and consumed also by the upper class. This cannot be separated from the change and development of dangdut music in the beginning of its assimilation with Malay, Gambus, Indian, Arabic music in the 1950s, then the introduction of electrical instruments introduced by Rhoma Irama in 1970s, and the emergence of Dangdut Disco music in 1990. As did Via Vallen, with the concept of Western musical elements such as Reagee and Rap. The issue raised in this paper, that dangdut has a collaborative concept and global issues in it. The goal is to obtain a general picture of dangdut music development in Indonesia currently. Source used is secondary source that is literature and audio source and video. The data will be analyzed and dissected using the approach of musicology and cultural studies, and presented in the exposure with descriptive qualitative method. The results of this research are expected to produce an explicit note in the development of dangdut music today, as well as cultural issues inherent in its development.

Copyright

© 2019, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Catur Surya Permana
PY  - 2019/02
DA  - 2019/02
TI  - Dangdut: Java, Reggae and Rap A Collaborative Concept of Via Vallen
BT  - Proceedings of the International Conference on Arts and Design Education (ICADE 2018)
PB  - Atlantis Press
SP  - 200
EP  - 204
SN  - 2352-5398
UR  - https://doi.org/10.2991/icade-18.2019.46
DO  - 10.2991/icade-18.2019.46
ID  - Permana2019/02
ER  -