Innovation of Narrative Discourse in the Musical “Into the Woods”
Authors
Sihui Hong
Corresponding Author
Sihui Hong
Available Online 6 January 2021.
- DOI
- 10.2991/assehr.k.210106.015How to use a DOI?
- Keywords
- musical, fairy tales, “Into the Woods”, narrative discourse
- Abstract
The Broadway musical “Into the Woods” is adapted from four classic European fairy tales, which has a strong defamiliarization aesthetic effect. By comparing the intertextuality of narrative discourse and methods in the musical and traditional fairy tales, it can be seen that the composer and director fully utilized the visual-auditory three-dimensional expression discourse, creatively used such artistic techniques as banter, absurd, dialogism, polyphonic and heteroglossia, and created new narrative discourse and form rules for Broadway fairy tale musicals.
- Copyright
- © 2021, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Sihui Hong PY - 2021 DA - 2021/01/06 TI - Innovation of Narrative Discourse in the Musical “Into the Woods” BT - Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020) PB - Atlantis Press SP - 72 EP - 76 SN - 2352-5398 UR - https://doi.org/10.2991/assehr.k.210106.015 DO - 10.2991/assehr.k.210106.015 ID - Hong2021 ER -