The Development of Three-Dimensional Symbols in Chinese Freehand Brushwork and Its Contemporary Value

DOI

10.2991/assehr.k.210106.014How to use a DOI?

Keywords

traditional Chinese painting, Chinese freehand brushwork, three-dimensional symbols, aesthetic expectation

Abstract

In the era of rapid development of science and technology, the development of Chinese freehand brushwork must be compatible with human visual cognition in order to meet the aesthetic expectations of the present audience. The three-dimensional expression should not be the standard to differentiate traditional Chinese painting and western painting. Since ancient times, Chinese artists have been exploring the form of three-dimensional expression. Modern painters break through the limitation of painting materials and techniques, and combine freehand brushwork and realism perfectly. This kind of expression not only expands the artistic conception of traditional Chinese painting, but also realizes the interaction of multi-sensory communication, which brings good aesthetic experience to the viewers. It promotes the development and innovation of traditional freehand brushwork to modern freehand brushwork and highlights the value of the times.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Hanying Sun
PY  - 2021
DA  - 2021/01/06
TI  - The Development of Three-Dimensional Symbols in Chinese Freehand Brushwork and Its Contemporary Value
BT  - Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)
PB  - Atlantis Press
SP  - 67
EP  - 71
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210106.014
DO  - 10.2991/assehr.k.210106.014
ID  - Sun2021
ER  -