Proceedings of the 2nd International Conference on Humanities, Wisdom Education and Service Management (HWESM 2023)

On the Genesis of Zhou Huijun’s Calligraphic Style and the Reference to Contemporary Calligraph

Authors
Dexiang Kong1, *
1Department of Fine Arts, Zibo Normal College of Higher Education, Zibo, 256102, Shandong, China
*Corresponding author. Email: 15762875651@163.com
Corresponding Author
Dexiang Kong
Available Online 19 July 2023.
DOI
10.2991/978-2-38476-068-8_11How to use a DOI?
Keywords
Zhou Huijun; calligraphic style; incompatibility of monuments and posters; literati style of calligraphy; calligraphic significance
Abstract

From the end of the Qing Dynasty to the present, there have been many famous calligraphers in Shanghai, such as Wu Changshuo, Sha Menghai and Shen Yinmo. However, one of the most important calligraphers of the ‘Shanghai School’ in modern times is Zhou Huijun. She is not only one of the most influential calligraphers of our time, but was also nominated by Calligraphy magazine as one of the ‘Ten People of the Year’. She is an accomplished calligrapher and painter, as well as an accomplished poet. Her representative works include the poem “The Collected Poems of Lu Xun” in running script, and she has thousands of paintings and calligraphic works in circulation today. In this article, while introducing Mr Zhou Huijun’s artistic achievements in calligraphy, we focus on the reasons for the formation of Zhou Huijun’s calligraphic style. Combined with the current situation of contemporary calligraphy, it effectively points out the significance of Zhou Huijun’s calligraphy to the creation of contemporary calligraphy, in order to provide a useful reference for the development of calligraphy art.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Download article (PDF)

Volume Title
Proceedings of the 2nd International Conference on Humanities, Wisdom Education and Service Management (HWESM 2023)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
19 July 2023
ISBN
10.2991/978-2-38476-068-8_11
ISSN
2352-5398
DOI
10.2991/978-2-38476-068-8_11How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Dexiang Kong
PY  - 2023
DA  - 2023/07/19
TI  - On the Genesis of Zhou Huijun’s Calligraphic Style and the Reference to Contemporary Calligraph
BT  - Proceedings of the 2nd International Conference on Humanities, Wisdom Education and Service Management (HWESM 2023)
PB  - Atlantis Press
SP  - 66
EP  - 71
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-068-8_11
DO  - 10.2991/978-2-38476-068-8_11
ID  - Kong2023
ER  -