Research on the Copyright of China Musicals

Zexi Liu; Wenliang Ye

doi:10.2991/978-2-38476-281-1_35

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Research on the Copyright of China Musicals

Authors

Zexi Liu¹, Wenliang Ye²^{, *}

¹Nanhai College of Arts and Technology, Haikou University of Economics, Hainan, China

²Department of International Cultural Education, Chodang University, Muan, South Korea

^*Corresponding author. Email: youseesy67@gmail.com

Corresponding Author

Wenliang Ye

Available Online 31 August 2024.

DOI: 10.2991/978-2-38476-281-1_35 How to use a DOI?
Keywords: copyright; free performance; China Traditional Musical
Abstract: The issue of copyright ambiguity in stage play art has been effectively controlled, and significant strides have been made in the legal framework surrounding the copyright of musicals. However, the problem of copyright infringement in musicals remains unresolved. During the Two Sessions, a proposal was submitted by Jiang Shengnan, a well-known screenwriter and member of the National Committee of the Chinese People’s Political Consultative Conference, advocating for the enhanced protection of screenwriters’ right of authorship. The proposal is aimed at improving the signature copyright of screenwriters and other groups. The copyright in the musical field mainly involves scripts, dances and music. These copyright fields are complex, and the phenomenon of “literary poaching” caused by difficulties in safeguarding rights and legal loopholes still exists. The existing legislation that permits the concept of “free performance” contains certain flaws. The purpose of this paper is to sort out the development course and influence of the copyright in the history of musical development in China from the perspective of dialectical philosophy, promote the construction of the copyright system of musical, and provide an international forward-looking discussion for the copyright development in this field.
Copyright: © 2024 The Author(s)
Open Access: Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title: Proceedings of the 2024 International Conference on Humanities, Arts, and Cultural Industry Development (HACID 2024)
Series: Advances in Social Science, Education and Humanities Research
Publication Date: 31 August 2024
ISBN: 978-2-38476-281-1
ISSN: 2352-5398
DOI: 10.2991/978-2-38476-281-1_35 How to use a DOI?
Open Access: Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

ris enw bib

TY  - CONF
AU  - Zexi Liu
AU  - Wenliang Ye
PY  - 2024
DA  - 2024/08/31
TI  - Research on the Copyright of China Musicals
BT  - Proceedings of the 2024 International Conference on Humanities, Arts, and Cultural Industry Development (HACID 2024)
PB  - Atlantis Press
SP  - 288
EP  - 296
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-281-1_35
DO  - 10.2991/978-2-38476-281-1_35
ID  - Liu2024
ER  -

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