Proceedings of the 7th Celt International Conference (CIC 2024)

Beyond the Rhetorical Function of Cinematic Metaphors in Indonesian Cultural Documentaries

Authors
Gerardus Majella Adhyanggono1, *
1English Department, Faculty of Language and Arts, Soegijapranata Catholic University, Semarang, 50234, Indonesia
*Corresponding author. Email: adhy@unika.ac.id
Corresponding Author
Gerardus Majella Adhyanggono
Available Online 31 December 2024.
DOI
10.2991/978-2-38476-348-1_18How to use a DOI?
Keywords
Cinematic metaphor; Indonesian cultural documentary film; rhetorical function
Abstract

A metaphor can be part of the compelling elements that anchor a film’s subject matter. The presence of a metaphor in a film, including that of a documentary, may further illustrate what the film projects. The significance of metaphor is due to its power to invoke a new way of seeing realities. This power of metaphor enables the reader and viewer to apprehend the discourse behind the language of the medium using metaphor. Three Indonesian cultural documentary films, Bathik: Bebet lan Bobot Lakuning Urip, Nyadran à la Sorowajan, and Ksatria Kerajaan uniquely exhibit the significance of their cinematic metaphors to provide further interpretation behind what the films on the surface show. This article identifies cinematic metaphors in the three cultural documentaries and examines their functions. The analysis also discusses what the films articulate cinematically and argumentatively and the extent to which the films’ cinematic metaphors help constitute the articulation. In examining the documentaries, the approach uses Ricoerian hermeneutic reading to investigate the current issue of cinematic metaphors. Such a method is applied using three systematic steps. First, it is essential to understand the documentaries aesthetically and argumentatively. The second is to explain the cinematic metaphors identified in the films and their functions in the context of the film’s arguments. The third is to reinterpret the films’ arguments and explain possible alterations found. The result suggests that the cinematic metaphors identified help alter the documentaries’ projection, moving beyond their rhetorical function.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 7th Celt International Conference (CIC 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
31 December 2024
ISBN
978-2-38476-348-1
ISSN
2352-5398
DOI
10.2991/978-2-38476-348-1_18How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Gerardus Majella Adhyanggono
PY  - 2024
DA  - 2024/12/31
TI  - Beyond the Rhetorical Function of Cinematic Metaphors in Indonesian Cultural Documentaries
BT  - Proceedings of the 7th Celt International Conference (CIC 2024)
PB  - Atlantis Press
SP  - 250
EP  - 269
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-348-1_18
DO  - 10.2991/978-2-38476-348-1_18
ID  - Adhyanggono2024
ER  -