Artistic expression of “People’s Nature” implications of the new mainstream film Sniper

DOI

10.2991/978-2-38476-222-4_28How to use a DOI?

Keywords

Sniper; People’s Nature; New Mainstream Cinema

Abstract

This research examines the film “Sniper” as a novel representation of Chinese cinema, embodying the concept of “People’s Nature.” The study analyses the film’s narrative techniques and its relationship to the “Cold Shot” movement, aiming to draw insights into new mainstream cinema and the aesthetics of “People’s Nature.” From a creative perspective, the study discusses the value of this concept in art and its effective portrayal in literature.

Copyright

© 2024 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Ke Qin
PY  - 2024
DA  - 2024/03/26
TI  - Artistic expression of “People’s Nature” implications of the new mainstream film Sniper
BT  - Proceedings of the 3rd International Conference on Culture, Design and Social Development (CDSD 2023)
PB  - Atlantis Press
SP  - 235
EP  - 243
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-222-4_28
DO  - 10.2991/978-2-38476-222-4_28
ID  - Qin2024
ER  -