Research on Copyright and Innovation of Wutong Peasant Paintings

Tong Wu; Haihong Qin; Qiongying Su; Xiaowen Gu; Lixin Liu; Shang Gao

doi:10.2991/978-2-38476-018-3_37

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Research on Copyright and Innovation of Wutong Peasant Paintings

Authors

Tong Wu¹, Haihong Qin¹, Qiongying Su¹, Xiaowen Gu¹, Lixin Liu¹, Shang Gao¹^{, *}

¹Guilin University of Electronic Technology, Guilin, 541004, Guangxi, China

^*Corresponding author. Email: 2064315496@qq.com

Corresponding Author

Shang Gao

Available Online 1 March 2023.

DOI: 10.2991/978-2-38476-018-3_37 How to use a DOI?
Keywords: Wutong peasant painting; copyright protection; innovation
Abstract: Research shows that with the rising demand for cultural consumption, the supply and demand on the content side of the cultural industry is increasing, and the copyright development of calligraphy and painting has become more and more hot. Finding new forms of application in historical art is more conducive to the development of excellent cultural and creative products suitable for contemporary aesthetics and usage habits. With the rapid development of the domestic market economy and the gradual deepening of the economic concept of commodities, most peasant paintings tend to be utilitarian; at the same time, printed traditional Chinese paintings have entered the peasant painting market, which has caused a huge impact on hand-painted peasant paintings, and has caused a huge impact on all aspects. serious impact. The copyright protection of Wutong peasant paintings and the discovery of their innovative features are of great significance to the solution and breakthrough of the problems of “fakes are rampant and shoddy” in the calligraphy and painting market.
Copyright: © 2023 The Author(s)
Open Access: Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title: Proceedings of the 2nd International Conference on Culture, Design and Social Development (CDSD 2022)
Series: Advances in Social Science, Education and Humanities Research
Publication Date: 1 March 2023
ISBN: 978-2-38476-018-3
ISSN: 2352-5398
DOI: 10.2991/978-2-38476-018-3_37 How to use a DOI?
Open Access: Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

ris enw bib

TY  - CONF
AU  - Tong Wu
AU  - Haihong Qin
AU  - Qiongying Su
AU  - Xiaowen Gu
AU  - Lixin Liu
AU  - Shang Gao
PY  - 2023
DA  - 2023/03/01
TI  - Research on Copyright and Innovation of Wutong Peasant Paintings
BT  - Proceedings of the 2nd International Conference on Culture, Design and Social Development (CDSD 2022)
PB  - Atlantis Press
SP  - 334
EP  - 340
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-018-3_37
DO  - 10.2991/978-2-38476-018-3_37
ID  - Wu2023
ER  -

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