Proceedings of the 4th Borobudur International Symposium on Humanities and Social Science 2022 (BIS-HSS 2022)

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Indonesian Multiethnic of the Dinasti Matahari Music Video in the Iconography Context

Authors
Nyoman Lia Susanthi1, *, Ketut Hery Budiyana1, Ni Wayan Masyuni Sujayanthi2, Igor de Almaida Amanajas3
1Film and Television Production Study Program, Indonesian Institute of The Arts Denpasar, Denpasar, 80235, Indonesia
2Karawitan Study Program, Indonesian Institute of The Arts Denpasar, Denpasar, 80235, Indonesia
3Universidade Estadual de Campinas - Unicamp, Campinas, SP, Brazil
*Corresponding author. Email: liasusanthi@isi-dps.ac.id
Corresponding Author
Nyoman Lia Susanthi
Available Online 10 October 2023.
DOI
10.2991/978-2-38476-118-0_169How to use a DOI?
Keywords
Music video; Dinasti Matahari; Navikula; Iconography; Multiethnic
Abstract

The purpose of this study is to reveal one by one the visual icons with Indonesian multiethnic elements and the meaning contained in Navikula's music video entitled Dinasti Matahari. This music video is interesting to study because it is the first music video produced by a Balinese director who won the Indonesian Music Award (AMI). The analysis uses a qualitative method by looking at references from related journals and studying them by watching Navikula's music video entitled Dinasti Matahari to find out the multi-ethnic icons, and archipelago contained in the music video. The researcher also interviewed the director of Dibal Ranuh to find out the production design for the creation of the music video. The approach used is the study of iconography, namely studying the visual product of the act of identification, description, and visual interpretation. The results of the analysis show that the director succeeded in building an Indonesian spirit with various ethnicities, namely Bali, Dayak, Papua, Java, and Nusa. This also led to this music video receiving an award in the AMI. The implications of this research are very useful for content creators, directors, and audio-visual creative teams to find out the creative process of creating works from iconographic studies.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 4th Borobudur International Symposium on Humanities and Social Science 2022 (BIS-HSS 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
10 October 2023
ISBN
978-2-38476-118-0
ISSN
2352-5398
DOI
10.2991/978-2-38476-118-0_169How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Nyoman Lia Susanthi
AU  - Ketut Hery Budiyana
AU  - Ni Wayan Masyuni Sujayanthi
AU  - Igor de Almaida Amanajas
PY  - 2023
DA  - 2023/10/10
TI  - Indonesian Multiethnic of the Dinasti Matahari Music Video in the Iconography Context
BT  - Proceedings of the 4th Borobudur International Symposium on Humanities and Social Science 2022 (BIS-HSS 2022)
PB  - Atlantis Press
SP  - 1494
EP  - 1508
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-118-0_169
DO  - 10.2991/978-2-38476-118-0_169
ID  - Susanthi2023
ER  -