Impact of Han Cultural Thinking Orientation on Ideographic Characteristics of Chinese Painting

DOI

10.2991/ssemse-15.2015.156How to use a DOI?

Keywords

Ideographic characteristics; Chinese painting; The Han culture; Thinking orientation; Philosophical consciousness

Abstract

As two important painting styles alternatively derived from the Han cultural thinking, the realistic and ideographic characteristics of Chinese painting faced different perspectives of different mainstream thinking orientations of the observers. The evolution of the cultural life naturally affected the changes of the painting style. In this article, the origin, crisis and the artistic conception of "rhythmic vitality" of the painting's ideographic characteristics were revealed through studies on long painting history from the Former Qin Dynasty up to now. Additionally, the unique understanding on the restoration of the painting's ideographic characteristics to be the mainstream of Chinese paintings was discussed through presenting the issues shown at the intrinsical level of paintings.

Copyright

© 2015, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - S.S. Tao
PY  - 2015/11
DA  - 2015/11
TI  - Impact of Han Cultural Thinking Orientation on Ideographic Characteristics of Chinese Painting
BT  - Proceedings of the 2015 International Conference on Social Science, Education Management and Sports Education
PB  - Atlantis Press
SP  - 607
EP  - 611
SN  - 2352-5398
UR  - https://doi.org/10.2991/ssemse-15.2015.156
DO  - 10.2991/ssemse-15.2015.156
ID  - Tao2015/11
ER  -