Wayang Pegon: The Way Malang People Embrace Differences

DOI

10.2991/assehr.k.211028.094How to use a DOI?

Keywords

Wayang Pegon; Embrace Difference; Malang People

Abstract

In Malang, ther is one of the sub-Wayang Jawatimuran genres, namely Wayang Pegon or commonly known as Wayang Gado-Gado, which is the wayang genre that was born in the 1970s as a way for Malang puppets to survive. This study aims to determine the existence of Wayang Pegon among Malang people and preventive efforts in the framework of forming a pluralistic culture of acculturation among Malang people. This research is a type of field research. The field research begins with the search for sources and supporting documents about the existence of Wayang Pegon, which will then be analyzed to find the conception of Wayang Pegon. The results of this research are to describe the existence of Wayang Pegon, the Early History of Wayang Pegon, and the Structure of the Wayang Pegon Performance. In social reality, it is stated that humans cannot be said to interact if they cannot communicate. Wayang Pegon in Malang is an illustration of the conscious efforts of communication participants to renew the relationship between communicators using the wayang art bridge.

Copyright

© 2021 The Authors. Published by Atlantis Press SARL.

Open Access

This is an open access article under the CC BY-NC license.

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TY  - CONF
AU  - Astrid Wangsagirindra Pudjastawa
AU  - Yudit Perdananto
AU  - Helmy Bastian
PY  - 2021
DA  - 2021/11/11
TI  - Wayang Pegon: The Way Malang People Embrace Differences
BT  - Proceedings of the 1st International Conference Of Education, Social And Humanities (INCESH 2021)
PB  - Atlantis Press
SP  - 62
EP  - 68
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.211028.094
DO  - 10.2991/assehr.k.211028.094
ID  - Pudjastawa2021
ER  -