Proceedings of the International Joint Conference on Arts and Humanities 2022 (IJCAH 2022)

The Study of Panji Culture in the Pandalungan Sub-ethnic, East Java

Review: Jaran Kencak Performing Arts

Authors
Anik Juwariyah1, *, Vivi E. Dewi1, Welly Suryandoko1, Nova Kristiana1, Octo D. Andriyanto1, Ida Chasanah2, Pensri Panich3
1Universitas Negeri Surabaya, Surabaya, Indonesia
2Universitas Airlangga, Surabaya, Surabaya, Indonesia
3Walailak University, Nakhon Si Thammarat, Thailand
*Corresponding author. Email: anikjuwariyah@unesa.ac.id
Corresponding Author
Anik Juwariyah
Available Online 19 March 2023.
DOI
10.2991/978-2-38476-008-4_180How to use a DOI?
Keywords
Performinf arts; Jaran kencak; Panji culture; Padalungan sub-ethnic
Abstract

The purpose of this study is to describe the performing arts of Panji Culture, namely Jaran Kencak, especially in East Java (Pandalungan Sub Ethnic) in terms of the form of presentation, makeup and costumes, order of presentation, accompaniment, and the story of jaran kencak. The method used is descriptive qualitative. Jaran Kencak is one of the performing arts with a story and banner value in the Pandalungan sub-ethnic of East Java. Jaran Kencak serves as a means of ritual, ruatan jaran, sumpingan, humorous jokes/drama, procession of jaran kencak, and ritual of ngesakno intention. The performing arts of Jaran Kencak, influenced by the Panji culture, can be seen in the presentation and the overall elements contained in the form of the presentation of the performing arts of Jaran Kencak. The results showed that the form of presentation was Ruwatan Jaran, Jula-Juli (Napel/Sumpingan), Lawakan dan Ruwatan Tuan rumah, Arak-arakan Jaran Kencak, Acara puncak, and Upacara Ngesakno Niat. The Jaran Kencak costume consists of a jamang (crown) which is accessories with striking colors, a kemul (blanket), a chest necklace, and a hand that is attached as well as wrapping the entire body of the horse. Meanwhile, the accompaniment used in the performing arts of Jaran Kencak consists of one kenong telok set used for procession accompaniment and one Javanese gamelan set for surprise accompaniment. Gending or songs that are played as an opening with Sarkaan gending, Giro Tamu, or folk songs.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the International Joint Conference on Arts and Humanities 2022 (IJCAH 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
19 March 2023
ISBN
978-2-38476-008-4
ISSN
2352-5398
DOI
10.2991/978-2-38476-008-4_180How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Anik Juwariyah
AU  - Vivi E. Dewi
AU  - Welly Suryandoko
AU  - Nova Kristiana
AU  - Octo D. Andriyanto
AU  - Ida Chasanah
AU  - Pensri Panich
PY  - 2023
DA  - 2023/03/19
TI  - The Study of Panji Culture in the Pandalungan Sub-ethnic, East Java
BT  - Proceedings of the International Joint Conference on Arts and Humanities 2022 (IJCAH 2022)
PB  - Atlantis Press
SP  - 1668
EP  - 1678
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-008-4_180
DO  - 10.2991/978-2-38476-008-4_180
ID  - Juwariyah2023
ER  -