Basic Landscape Paradigm in Zhang Daqian's Landscape Painting

DOI

10.2991/ieesasm-16.2016.177How to use a DOI?

Keywords

Zhang Daqian, Landscape painting, Landscape paradigm

Abstract

Zhang Daqian's landscape painting is based on Chinese traditional painting and the landscape pattern of his landscape painting abides by traditional Chinese landscape paradigm, i.e., Xumi, Kunlun Mode, One Pool Three Mountains Mode and Hutian, Jiezi Mode. These three paradigms are both the ideal landscape mode of Huaxia ancestors and the constitution foundation of landscape painting. On the basis of these basic modes, our ancestors summarized and completed them and finally developed them to Taoyuan Mode that expresses reclusion life, which can be seen from Zhang Daqian's landscape painting.

Copyright

© 2016, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Zhen Luo
PY  - 2016/09
DA  - 2016/09
TI  - Basic Landscape Paradigm in Zhang Daqian's Landscape Painting
BT  - Proceedings of the 2016 4th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2016)
PB  - Atlantis Press
SP  - 850
EP  - 854
SN  - 2352-5428
UR  - https://doi.org/10.2991/ieesasm-16.2016.177
DO  - 10.2991/ieesasm-16.2016.177
ID  - Luo2016/09
ER  -