The Existence of Wayang Orang Ngesti Pandhawa in Economic Change

Keywords

Ngesi Pandowo, wayang orang, management

Abstract

This research discusses the process of marginalization of traditional art that threatens its existence, represented by puppet group Ngesti Pandhawa (WO) in Semarang, Central Java. The study and discussion of the problem are carried out using an economic perspective, in its interrelated context. The methodological approach that is used in this study is a qualitative approach, with a single case study design. The study focuses on the WO group Ngesti Pandhawa and related parties, in the flow of development and its presence in the face of the changes taking place around it. The result of the study from an economic perspective shows that in the face of globalization era in the 21st century, WO Ngesti Pandhawa is in a position of dead shrink, life is not willing. Although in recent years there has been a development effort to maintain its existence in the form of management restructuring, promotion in internet media and signing of cooperation with several institutions, but WO Ngesti Pandhawa group still applies traditional family management.

Copyright

© 2019, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Download article (PDF)

TY  - CONF
AU  - Restu Lanjari
PY  - 2019/05
DA  - 2019/05
TI  - The Existence of Wayang Orang Ngesti Pandhawa in Economic Change
BT  - Proceedings of the 2nd International Conference on Arts and Culture (ICONARC 2018)
PB  - Atlantis Press
SP  - 153
EP  - 158
SN  - 2352-5398
UR  - https://www.atlantis-press.com/article/125911185
ID  - Lanjari2019/05
ER  -