Audiovisual Post-production During COVID-19: Perceptions of Ibero-American Sports Journalists

Gerardo Karbaum; Daniel Barredo Ibáñez; Doris Neira; Claudia Chura

doi:10.2991/978-94-6463-254-5_11

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Audiovisual Post-production During COVID-19: Perceptions of Ibero-American Sports Journalists

Authors

Gerardo Karbaum¹, Daniel Barredo Ibáñez²^{, 3}^{, *}, Doris Neira⁴, Claudia Chura¹

¹Universidad Peruana de Ciencias Aplicadas, Lima, Perú

²Department of Journalism, Universidad de Málaga, Málaga, Spain

³Fudan University, Shanghái, China

⁴Universidad de San Martín De Porres, Lima, Perú

^*Corresponding author. Email: daniel.barredo@uma.es

Corresponding Author

Daniel Barredo Ibáñez

Available Online 3 October 2023.

DOI: 10.2991/978-94-6463-254-5_11 How to use a DOI?
Keywords: post-production; sports journalism; COVID-19
Abstract: In 2020, the Covid-19 pandemic created an environment of fear, uncertainty and confinement. Given the suspension of coverage and sporting events, diverse and contingency audiovisual content had to be generated. For this reason, the objective of this research is to describe the functions that post-production fulfilled in sports audiovisual media to continue keeping their programming on the air. The applied methodology was qualitative. To achieve the research objective, semi-structured interviews were carried out with journalists and filmmakers from some of the most important media in Latin America. The results in which the integrating role that post-production played to consolidate videos of diverse origin such as video calls, archive material or video game recordings are evident. Based on what was found, it is concluded that post-production played a homogenizing and hybridizing role of a variety of audiovisual elements, giving them coherence, narrative, and their own aesthetics that are already assigned to the audiovisual production of this period that humanity lived through.
Open Access: Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title: Proceedings of the International Conference on Communication and Applied Technologies 2023 (ICOMTA 2023)
Series: Atlantis Highlights in Social Sciences, Education and Humanities
Publication Date: 3 October 2023
ISBN: 978-94-6463-254-5
ISSN: 2667-128X
DOI: 10.2991/978-94-6463-254-5_11 How to use a DOI?
Open Access: Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

ris enw bib

TY  - CONF
AU  - Gerardo Karbaum
AU  - Daniel Barredo Ibáñez
AU  - Doris Neira
AU  - Claudia Chura
PY  - 2023
DA  - 2023/10/03
TI  - Audiovisual Post-production During COVID-19: Perceptions of Ibero-American Sports Journalists
BT  - Proceedings of the International Conference on Communication and Applied Technologies 2023 (ICOMTA 2023)
PB  - Atlantis Press
SP  - 102
EP  - 110
SN  - 2667-128X
UR  - https://doi.org/10.2991/978-94-6463-254-5_11
DO  - 10.2991/978-94-6463-254-5_11
ID  - Karbaum2023
ER  -

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