Proceedings of the International Conference On Multidisciplinary Studies (ICOMSI 2022)

The Comparison of Mise-En-Scène in Indonesia Wayang Kulit and Animation

Authors
Andrian Wikayanto1, *, Nuning Yanti Damayanti2, Banung Grahita2, Hafiz Aziz Ahmad2
1Research Center for Society and Culture, BRIN, Cibinong, Indonesia
2Faculty of Art and Design, ITB Bandung, Sumedang, West Java, Indonesia
*Corresponding author. Email: andr038@brin.go.id
Corresponding Author
Andrian Wikayanto
Available Online 21 June 2023.
DOI
10.2991/978-2-38476-072-5_37How to use a DOI?
Keywords
Mise En-Scene; Animation; Wayang Kulit; Indonesia
Abstract

The existence of animation is often compared with wayang, which has existed in Indonesia for a long time. Wayang is considered a representation of animation in its traditional form in Indonesia. At the same time, animation is regarded as a form of wayang in the modern version. However, no research has examined the similarities and differences between wayang and animation. It can be seen by comparing the two media's mise-en-scene elements. This research used a comparative study method focusing on looking deeply at the differences and similarities between wayang kulit in Indonesia and animation. The data analysis process is carried out by analyzing the mise en-scene form of animation & wayang kulit on five primary elements: setting & props, costume, hair & makeup, facial expressions & body language, lighting & colour, and positioning of characters/objects within the frame. In the identification of mise en-scene in wayang kulit and animation, it is found that both media are built by critical components that are used to form a narrative that will be told to the audience. The use of settings, character visualization, facial expressions & body language, light & colour, as well as the positioning of characters on stage, are arranged in such a way as to suit the needs of the dalang or director. The forms of mise-en-scene from wayang and animation differ in using technology in the production process. The results of this research can be used to see how the relationship between the history of traditional motion-based arts, such as wayang, influences the development of modern animation in Indonesia.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the International Conference On Multidisciplinary Studies (ICOMSI 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
21 June 2023
ISBN
978-2-38476-072-5
ISSN
2352-5398
DOI
10.2991/978-2-38476-072-5_37How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Andrian Wikayanto
AU  - Nuning Yanti Damayanti
AU  - Banung Grahita
AU  - Hafiz Aziz Ahmad
PY  - 2023
DA  - 2023/06/21
TI  - The Comparison of Mise-En-Scène in Indonesia Wayang Kulit and Animation
BT  - Proceedings of the International Conference On Multidisciplinary Studies (ICOMSI 2022)
PB  - Atlantis Press
SP  - 377
EP  - 389
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-072-5_37
DO  - 10.2991/978-2-38476-072-5_37
ID  - Wikayanto2023
ER  -