Mamaos Art at Sanggar Sekar Panghegar in Cianjur City

DOI

10.2991/assehr.k.201215.064How to use a DOI?

Keywords

Cianjur, local art, mamaos

Abstract

The purpose of this research is to describe the development and the way to preserve mamaos art in Cianjur City. A qualitative method for this research was employed to reveal the development and the efforts to preserve Mamaos art at Sanggar Sekar Panghegar in Cianjur City. Data were collected through observation, documentation, and interview. The results of this study reveal (1) the development of Mamaos art has experienced much progress; (2) the efforts to preserve the Mamaos art has received the support of the government, artists, and the community in Cianjur City. Mamaos Art at the Sekar Panghegar Studio has developed since 2000 with a majority of young players. In terms of development, Mamaos art at Sanggar Sekar Panghegar is considerably advancing, which is evidenced by the existence of Mamaos art to perform at celebrations both in the area and outside the region. The efforts to preserve the Mamaos art at Sanggar Sekar Panghegar have been made by all levels of society, artists, and government officials in Cianjur City to ensure the vitality of the art.

Copyright

© 2020, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Download article (PDF)

TY  - CONF
AU  - M. Rifki Rizaldin
AU  - Nunuy Nurjanah
AU  - Chye Retty Isnendes
PY  - 2020
DA  - 2020/12/17
TI  - Mamaos Art at Sanggar Sekar Panghegar in Cianjur City
BT  - Proceedings of the 4th International Conference on Language, Literature, Culture, and Education (ICOLLITE 2020)
PB  - Atlantis Press
SP  - 407
EP  - 412
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.201215.064
DO  - 10.2991/assehr.k.201215.064
ID  - Rizaldin2020
ER  -