Proceedings of the 1st Widyatama International Conference on Management, Social Science and Humanities (ICMSSH 2024)

Comparative Figures of Speech in the Collection of Reality Club’s Songs: A Semantic Study

Authors
Puspita Sari1, *, Muhammad Ilman Nashrullah Nurdin1
1Widyatama University Bandung of Indonesia, Bandung, Indonesia
*Corresponding author. Email: puspita.sari@widyatama.ac.id
Corresponding Author
Puspita Sari
Available Online 27 December 2024.
DOI
10.2991/978-94-6463-608-6_5How to use a DOI?
Keywords
semantics; figures of comparison; meaning
Abstract

This study aims to identify the types of figures of comparison in the collection of Reality Club’s Songs and the meanings contained. This study used the theory of types of figures of comparison by Kennedy (1983) and the theory of meaning according to (Lyons, 1968). The method used in this study is descriptive qualitative method. This study begins with gathering information, collecting data, identifying the problems, classifying the data, analyzing the data and finally making conclusions. The results show that from 57 study data found in the collection of Reality Club songs, there are 4 types of figures of comparison with the following description, 32 data (56%) of metaphor, 9 data (16%) of personification, 5 data (9%) of hyperbole, 11 data (19%) of simile. Based on the form of meaning, there are 54 data (95%) of connotative meaning and 3 data (5%) of denotative meaning. This study concludes that the type of figures of comparison in the collection of Reality Club’s songs is dominated by the type of metaphorical comparison. Meanwhile, the meaning of comparison is dominated by connotative meaning.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 1st Widyatama International Conference on Management, Social Science and Humanities (ICMSSH 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
27 December 2024
ISBN
978-94-6463-608-6
ISSN
2352-5398
DOI
10.2991/978-94-6463-608-6_5How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Puspita Sari
AU  - Muhammad Ilman Nashrullah Nurdin
PY  - 2024
DA  - 2024/12/27
TI  - Comparative Figures of Speech in the Collection of Reality Club’s Songs: A Semantic Study
BT  - Proceedings of the 1st Widyatama International Conference on Management, Social Science and Humanities (ICMSSH 2024)
PB  - Atlantis Press
SP  - 33
EP  - 43
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-94-6463-608-6_5
DO  - 10.2991/978-94-6463-608-6_5
ID  - Sari2024
ER  -